Framed and on the run, a former FBI agent must save his family from a blazing fire in the world's tallest building.
A helicopter charter turns deadly when the pilot finds that she is on a building held by terrorists. It is up to her and her husband to save the hostages.
Skyscraper Souls is a Pre-Code 1932 drama film starring Warren William and Maureen O'Sullivan. The film was directed by Edgar Selwyn and is based upon the novel Skycraper by Faith Baldwin. The film depicts the aspirations and lives of several people in the Seacoast National Bank Building. Among them is David Dwight, the womanizing bank owner who keeps his estranged wife happy by paying her bills. His secretary Sarah wants him to get a divorce so they can marry.
This is a typically benign silent comedy/drama whose only distinction is that it is set among the skyscrapers of 1928 NYC. Either the location work is real (hard to beleive they'd take chances with the lives of stars) or the matte work is extraordinry for its day. Blondy and Swede are gruff best friends who build skyscrapers. Blondy gets sweet on a girl he saves from a falling beam, Sally, but when he is injured in an accident and temporarily crippled, he rejects her. Swede tries every desperate measure to get Blondy to fight back, to try to walk, even masquerading as stealing Sally away from him. It all comes right in the end. Oscar nomination for Screenplay
A montage of the skyscrapers of Manhattan opens with a succession of stationary views of the upper portions of numerous buildings. This is followed by a wide variety of fluid shots, which also begin to show more and more of the surrounding city, in addition to the skyscrapers themselves.
Nominated for an Academy Award, this live-action short film playfully chronicles the construction of the Tishman Building at 666 Fifth Avenue in New York City.
An Adolfas Mekas directed short parodying Italian art films of the time.
Taken in the immense excavation for the foundation of the new Macy building at the corner of Broadway and 34th Street, New York.
One night, Speedy Gonzales tries to save his pal Daffy Duck from sleepwalking through a construction site.
Shinichi is invited to a party held by a famous architect and Shinichi asks Ran to go instead. There a mysterious person plants a lot of bombs and gives Shinichi clues as to the location of the bombs. Shinichi tries to uncover all the bombs and save Ran's life.
A very strange-looking piece of animation from before the triumph of the Bray model of cartooning, this 1914 cartoon, to the modern eye, looks like quarter animation (in which only about a fourth of the movements are covered) and scratchboard work. Hesanut, the star of perhaps half a dozen cartoons from this period, is a top-hatted fellow who builds a skyscraper by placing the girders in place and then using a sort of brick cannon to put up the facade.
Documentary about New York skyscrapers.
Jon is 17. He lives in the midst of a claustrophobic world which once seemed destined to become a seething metropolis of high-rise tower blocks and intersections until one day an absurd traffic accident occurs. At the time, Jon was made responsible. He had just turned nine years of age. Ever since, Jon’s father has anxiously watched over Jon’s development. But then one day Jon’s desire is awakened by a girl and, all at once, his oppressive environment begins to change.
In Oscar's world, the men in suits live in skyscrapers. They are happy, never run away and never cry. Until one day, one man hides and the rules fall apart.
A day in the life of a tower block of flats, where the two main vertical channels of communication are the lift and the drain.
Through a first-person narrator, archival footage and photographs, and a contemporary camera, Pavel Lounguine uses the Moscow skyscraper where he grew up as a touchstone for looking back to Stalin and then examining today's Russia. This is Stalin's pyramid, his immortality. We visit people who have lived there for 50 years, see their flats (some modernized, others decaying), and listen to their histories: the son of a KGB man, a retired rocket scientist, a sculptor's son. an actor, seamstresses at a uniform shop, an ex-pat, and two artists. We see a kindergarten and remember marching; we watch parades and discuss surveillance. The commentary is wry: Putin emerges as Stalin's heir.
The ASH (Abnormal Species Humanoid) first appeared in the beginning of the 1980s. They looked like humans, but they weren't. The ASH can be identified by a pulsating appendage on their back; it resembles an embossed root clutching the spine. These humanoid creatures have the power to destroy telepathically via a deadly impulse which hemorrhages brain cells. Their goal is to populate the planet via random sexual contact and then take control. There are special police units who fight the ASH. This top secret organization is called The Society For Environment Protection and its agents are called psychosists
Kuba attends an art opening with his girlfriend of two years and bumps into Mikal. The connection between these two young men is instantaneous and intoxicating, and despite opposition from all sides, he allows Mikal into his life. The results go beyond anything he could have imagined. This intimate and bold second feature from Polish director Tomasz Wasilewski captures the often-complicated consequences of finding love where others do not want it.
Death stalks a towering hotel under construction in Tokyo and love brings the guilty parties to a justice of their own choice. The motives are control of the hotel, blackmail and jealousy. The principals involved are two business partners, a political string puller and his son, lovers carrying on an illicit affair and a secretary turned blackmailer.
A new skyscraper is being built in New York City, and numerous workmen are busy at hazardous jobs high above the ground. When one of the workers, Dago Pete, deliberately starts a fight, he is immediately fired. But the discharged worker soon comes up with a plan to commit a robbery and get even. His scheme could affect the lives of several others.
As urban space shrinks, we build higher and faster than ever before, creating a new generation of skyscrapers. Super skyscrapers are pushing the limits of engineering, technology and design to become greener, stronger, smarter and more luxurious than their predecessors. This four-part series follows the creation of four extraordinary buildings, showcasing how they will revolutionize the way we live, work and protect ourselves from potential threats. Read more about each episode below.
A spotlight on ambitious plans that cities are undertaking to transform their skylines with massive skyscrapers.